Mad Professor is a Finland based company that has made premium quality guitar and bass pedals and amplifiers since 2002.
High-gain distortion pedal, which was modelled after the 80s style compressed gain sounds. It is extremely easy and lot of fun to play, because its texture is adjusted to give clarity and definition also at heavy distortion.
Extremely touch sensitive overdrive. Offers wide range of tones from light overdrive into distortion and at lowest Distortion knob setting works as an EQ. It can also be used to create tube amp-like crunchy strike hard for distortion effect. There is not much filtering on the overdrive, to provide transparent tone that you can tailor with both the Treble...
Simble overdrive and Predrive both have got fine tuned and then put into one! Tailor your tone in the overdrive section: The Accent lets you choose the frequency range where the overdrive is mostly focused at. Sensitivity will determine the amount of gain. And with the Contour you can adjust the tone of the output signal. Enter the Predrive. Boost your...
The Mad Professor Kosmos is a small, easy to use and super versatile pedal for a wide variety of ambient reverbs. With just one footswitch you can, of course, turn the pedal ON and OFF, but also hold the switch for freeze function ambient effect or make beautiful swell effects without the need of a volume pedal.
Designed for electric bass to get light to medium overdrive reminiscent of vintage tube bass amplifiers. While mainly designed for bass guitar, the BBBO can also be used with other instruments for low, dynamically controlled distortion.
The EBC has a very musical modulation with even stronger chorus settings and tones that lean toward vibrato that sets it apart from most other chorus pedals. With the Depth and Blend knobs one can also adjust in a very mild, barely audible chorus that adds some dimension and depth to your tone, very quiet and transparent with very little filtering.
A combination of two boosters and a switchable buffer, can be used as a treble booster, a clean boost or an overdrive unit, The booster circuit is designed to overdrive the amplifier inputs from nice shimmer to heavy overdrive, thanks to the massive 40dB of boost. The booster is tuned so that it produces musical distortion by itself on higher boost settings.
Compact, easy to use digital/analog reverb with a pure analog direct signal path. It creates a natural sounding ambient reverb that will not get in the way of your original signal.
Modern high-gain distortion pedal with unparallelled clarity and definition. Razor sharp dynamics and high gain intensity, great for drop tuning, 7 string, and modern rock players who are seeking extreme gain with intense string to string definition. Play a chord and hear each note distinctly, instead of it turning to mush like many other high gain pedals.
Natural sounding digital/analog delay with analog direct signal path. No noise reduction circuits, which keeps decay of echo as natural as possible. Direct signal path is short and made with analog amplifiers with no filtering. The delay is specially designed to work well with distorted tone, as this is the most critical application, where delays often fail.
Guitar or bass compressor and sustainer, extremely low noise throughout the range and a high overload margin, which allows also a wide dynamic input range at minimum distortion and noise. Equipped with a special tone control to fine-tune the compressed sound for most transparent tone and effect.
Premium quality classic blues/rock pedal that works very well with complex overdriven amp sound. Low compression, high headroom overdrive with high output, and it has a Body knob for adjusting low-mid content and treble.
True sine wave tremolo effect designed for tremolo tones from the of 50s type soft swing to deep modulation with great playability, regardless of tremolo depth or speed. Strength of incoming signal is modulated by a sinusoidal oscillator, just like in the early amps, and modulation bias is set to give symmetrical modulation.
Touch sensitive low gain overdrive pedal hand made in Finland. It is designed to overdrive distorted amplifiers and give dynamically controlled light overdrive on clean sounds.
Fuzz pedal that is easy to play with long sustain and lot of tone variations. Compressed, deep effect to allow equal sustain throughout the fretboard. Tone control from mellow fuzz, through slight midcut to thin bright fuzz. Great for recording different layers of Fuzz tones from haunting dark to cutting thin bright.
Phaser pedal especially tuned for electric guitar. The Tone is very musical and balanced thanks to carefully matched parts in the circuit. With the four controls you can fine-tune the phaser effect to your taste. With the rotating switch you can choose between to different phase tones, the other is a light one and the other with big fat low end and deep...
Natural organic tone, un-surpassable touch sensitivity, sweet tube-like compression and built in inspiration. This natural sounding pedal works as a clean boost, on the edge crunch, or a sweet singing overdrive, always retaining the tone of your prized guitar.
Instead of overdriving your clean tone, now you can get cleaner tones from your favourite overdriven tone. That is what we call underdriving. Evolution Orange Underdrive works really well with vintage single channel amps that sound great when you push them to overdrive.
Preamp/booster/compressor/upper harmonic enhancer. This musical tonal combination is totally adjustable with your picking attack and guitar volume pot. The amount of boost depends on the input signal level and HOT/COOL switch position. Maximum is about +10dB on lower level notes and average is about +6dB.
Combination of a great overdrive or fuzz pedal into overdriven tube amplifier. Amber Overdrive produces this sound even when running though a clean amplifier. It produces a very thick sound whether playing chords or single notes – fat and juicy with just a hint of fuzz.
Touch sensitive, medium gain overdrive pedal designed to overdrive distorted amplifiers and give dynamically controlled low to medium gain tones with clean amplifiers.
Fender high power tweed Twin was made from 1957 to 1960. It has become the most sought after vintage amplifier, because it is one of the best sounding amplifiers of all times. It has been used by players such as Keith Richards, Eric Clapton, Joe Bonamassa and the late Rory Gallagher. Just like the original Fender Tweed Twin from the extensive Mad...
Rich, fat, warm sound and well thought out functionality make the Dual Blue Delay one of the most clever, intuitive, and easy to use delay pedals currently available. Short delay has a maximum delay time of 315ms and a fatter tone well suited for slapback and old school tape echo tones. Long delay reaches 810ms and has a modern delay voicing, great for...
The New Snow White AutoWah (GB) is a combination of the previous Snow White AutoWah and the Snow White Bass AutoWah pedals. Now both of those fabulous auto wah sounds are in the same pedal making the unit even more versatile.