Catalog
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Bass Guitar Effects
Subcategories
Preamp, overdrive, distortion and fuzz pedals designed for bass guitar.
Bass guitar compressor pedals
Wah wah and envelope filter pedals for bass guitar
Modulation effects for bass. Chorus, Flanger, Phaser etc.
Octavers and pitch shifters designed for bass guitar.
Bass amplifier and cabinet simulators (with XLR output for going straight to mixer/FOH)
The cult classic Green Russian Big Muff first shook the ground in the mid-1990s. Since then it has been heralded by guitarists and bassists for its devastating low-end and unique sludge and sizzle. The Green Russian Big Muff creates a huge tone that is all its own, but is undeniably Big Muff.
Tailor your drive/distortion sound with Sustain, Tone and Volume knobs. Features a Dry switch that mixes your dry bass, at unity level, with the Nano Bass Big Muffs distortion. True bypass for maximum signal path integrity. Road worthy die-cast chassis. 9Volt battery included
Bass subharmonic synthesizer and low-end enhancer, based on the iconic DOD Meatbox circuit design with updated components, TRS Output, True bypass, 9V DC power supply jack, Crisp blue status LED, Lighter aluminum chassis.
Designed for electric bass to get light to medium overdrive reminiscent of vintage tube bass amplifiers. While mainly designed for bass guitar, the BBBO can also be used with other instruments for low, dynamically controlled distortion.
Preamp and speaker simulator Fully analog pre-amp based on the Ampeg SVT with gain, level and 3-band EQ with semi-parametric center control Parallel signal routing with selectable LPF Dual FX loop (for preamp and parallel signal) Analog cabinet simulation with 3 voicings: 8 x 10", 1 x 15" & 4 x 10" with microphone position and resonance controls...
The Microtubes Vintage is our tribute to some of the most legendary sounds in rock history. It provides warm tube-like tones with a natural dynamic response that echoes the organic compression of old tube amps and reel-to-reel tape machines.
Compact compressor designed especially for bass guitar. Input sensitivity ranges from -10 dBu to +2 dBu making it a perfect fit for both passive and active basses, Maximum gain reduction of 21 dB, with enough make-up gain to return your signal to full volume at maximum sustain (compression). Attack toggle switch changes the timing of the onset of...
Not one, but two narrow filters sweep your tones under control of the envelope, generating very unique vocal-like sounds. A distortion switch enriches the harmonics. The response control varies the sweep range determined by your attack. Not only designed for and great on bass guitar, but also very funky on guitar.
Tailor your drive/distortion sound with sustain, tone and volume knobs, A dry switch that mixes your dry bass with the Bass Big Muff Pi's distortion. A bass boost EQ switch that reintroduces your low frequencies when tone is set for high frequencies. Based on the Russian Big Muff. Tough and compact die-cast chassis, True Bypass
Bass distortion/fuzz, controls for: volume, tone, sustain, blend, gate, crossover HPF, crossover LPF, mini toggle switch (input 0/-10 dB), crossover switch, bypass switch, XLR DI out, jack in/out, jack DI out
Octave FX pedal with true bypass, constant headroom technology and midrange boost. Made in USA
Bass Distortion and DI Box, Both Clean and Distortion channels. Run direct to the PA or straight to the mixing board. Smart noise gate and optimized EQ.
Bass Chorus, Analog bucket-brigade technology, Separate Bass and Treble controls, Flanger and X-Over for added tonal flexibility
CHT Constant Headroom Technology for clear, clean performance, True bypass, Sounds great on guitar.
Bass Overdrive pedal, Warm, harmonically rich overdrive, Clean signal blend control, True bypass
Bass chorus, provides a a tight, focused sound with a well-defined low end and shimmering chorus on top, crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition.
Technology found in keyboard and modular synthesizers in a pedal designed for guitarists and bass players. The Blurst modulates an instrument’s sound like an envelope filter, but instead of the filter’s response being controlled by playing dynamics, it’s controlled by an internal oscillator. The Blurst is a must have for the adventurous player who wants...
Co-designed with Karnivool's Jon Stockman, Alpha·Omega features two completely new and blendable distortion engines, a 3-band active equalizer and both a parallel and a direct output for an extremely wide variety of distortion textures and maximum sonic flexibility.
The Battalion Bass Preamp and DI is a compact, flexible pedal that delivers powerful tone shaping capabilities in a rugged pedalboard-friendly package. The Battalion is loaded with features that will appeal to tone conscious bass players and includes a four-band equalizer, fully-featured MOSFET distortion section with three signal path options, a...
Same bone-crushing sound and flexibility from bigger brother Alpha Omega, but in a smaller, more affordable format. With the double distortion engine (Alpha and Omega), the Alpha·Omicron delivers unparalleled versatility and harmonic rich sound. Designed for bassists in need of a preamplifier to be distinctively heard in any musical context.
The Cry Baby Bass Mini Wah delivers the same sound and functionality as the popular 105Q at half the size with a lighter aluminum housing. Just like its bigger brother, this pedal is optimized to retain a strong, solid fundamental while sweetening up fills and solos, and it'll fit nicely on your downsized travel board.
Bassist Compressor is a studio-level bass compressor and sustainer in a pedal form. Works flawlessly with active pickups and line-level signals. Bassist Compressor is built around the exotic and extremely high fidelity THAT Corp. 4320.
With the Microtubes B3K v2 you get all the features of the original, with the ability to restore the mids for natural character. The attack switch has been replaced by the tone knob, giving much more control of the higher harmonic content (3 kHz to 8 kHz). The grunt switch is still present, as you would expect. The addition comes in the form of a mid...
With the Microtubes B7K v2 you get all the features of the original, with the ability to better sculpture your tone: on the low mids you have the option to change the center frequency from 1KHz to 500Hz, and on the high mids you have the option to change the center frequency from 3kHz to 1.5kHz. This will enable you to tailor your absolute dream...