Aguilar Amplification is dedicated to using superior engineering processes to make great gear for bass players. Manufacturer of heads, cabinets, preamps, pickups and effects pedals with real world, musical understanding from a team of bass players and engineers.
The Tone Hammer® 350 makes a big sound while having a tiny footprint! Boasting a 3 band EQ and 350 watts of power, this little beast gives you classic Aguilar tone in an easy to carry, 3 lb. package! Players on a budget can now have it all – tone, power and portability! Plus, it’s assembled at the Aguilar factory in NYC.
Giving the Tone Hammer® 700 its flexible tone-shaping capabilities is Aguilar’s Tone Hammer preamp, the same preamp used in the Tone Hammer D.I./preamp pedal, which has become a favorite of bass players all over the world. The 4.9 lb. (2.22 kg) Tone Hammer 700 delivers 700 continuous watts @ 4 or 2.67 ohms, 350 watts @ 8 ohms and features bass, treble and...
Based on the popular Tone Hammer® pedal, this superlight bass head combines 3 bands of flexible EQ, a colorful “Drive” control, and 500 watts of power in a 4 lb. package. The Tone Hammer® 500 will give you the legendary “Aguilar Sound” while still fitting into the accessory pouch of most gig bags – the perfect choice for bass players on the go.
The first lightweight bass cabinet with no compromise in tone. At only 25 lbs. (11.34 kg), the SL 112 represents an entirely new path to the world-class Aguilar tone featuring a Neodymium driver with a custom-designed crossover.
The SL 212 offers an unprecedented balance of performance and weight. At only 45 lbs. (20.41 kg), this 4 ohm cabinet handles 500 watts RMS. With a frequency response of 37 Hz–16 kHz, the SL 212 provides the deep lows, articulate midrange and smooth treble for which Aguilar is known.
The AGRO® is based on the saturation channel of Aguilar’s celebrated AG 500 bass head. Capable of producing everything from warm, tube-like overdrive to full-on distortion, this pedal will give you the grind you need without sucking out your low end.
Providing the warm, rich tone that Aguilar gear is famous for, the Chorusaurus® uses analog bucket-brigade technology for lush, organic chorusing. The Chorusaurus® gives bassists unparalleled control of their tone with an intuitive, four-knob layout. BLEND controls the ratio of dry and wet signals. The RATE, INTENSITY and WIDTH controls provide maximum...
The Filter Twin® uses two identical filters sweeping in opposite directions – one up in frequency, one down in frequency – to give classic 70’s-inspired funk sounds or completely new and original filter tones. Two filters sweeping at the same time give you a more organic, vocal quality and allows you to get expressive new sounds that you can’t get from...
Delivering the deep and textured tone that Aguilar bass pedals are famous for, the Fuzzistor®provides classic silicon transistor distortion. The Fuzzistor® allows for complete control over the BLEND of the clean and Fuzz sound, the amount of FUZZ from subtle to crushing, LEVEL for gain matching, and TONE which is a tilt EQ that changes the harmonic...
The Grape Phaser provides lush, analog phase shifting courtesy of a simple, two-knob layout. RATEcontrols the speed of the modulation while COLOR feeds a portion of the signal back through the phase shifting circuit, creating new and super funky bass sounds!
Proprietary detector circuit for superior trackingDual Filter ArchitectureFull Spectrum Tilt EQ for Clean soundContinuously variable multipole low-pass Filter for Octave soundGig-saver bypass (signal passes even if your battery dies)Powered by one nine volt battery or optional universal power supplyHeavy Duty steel constructionInputs: One 1/4″...
Threshold control: variable from -30 to -10 dBuSlope control: variable from 2:1 to infinityAttack control: variable from 10ms to 100msLevel control: -infinity to -3dBuLow Distortion: (<0.2 %)Gig-saver bypass (signal passes even if your battery dies)Power: Nine-volt battery or optional universal power supplyHeavy Duty steel constructionInputs: One 1/4″...
This preamp/direct box is so strong and powerful it could only be called the “Tone Hammer”! Based on the respected OBP-3 preamp, the Tone Hammer® features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer’s pristine D.I. you are set for the studio or the stage.
Noise-free, classic Jazz Bass tone in a pickup that works great for all playing styles. Featuring our split-coil design, these pickups deliver a deep low-end, rich midrange character, and clear articulation – all with no hum!
The Aguilar AG 4, 5, and 6 P/J-HC’s are well-balanced pickup sets that provide a flexible array of tones, whether using each pickup alone or in combination. Now you can get the thunderous lows of the neck pickup or the midrange cut of the bridge – or both – without 60 cycle hum!
Our M- Style pickups re-create the classic Stingray® tone while adding the characteristics that Aguilar pickups are known for – excellent string-to-string balance and consistency of tone. Wired in parallel, these pickups give players crisp treble, articulate midrange and thunderous lows.
Larger 6mm magnets and over-wound design give this pickup big personality – with an edge. Thick lows and a growly midrange character define the sound of the HOT series, all while capturing the dynamics and nuances of your playing.
Based on Dave Boonshoft’s personal 1963 and 64′ Precision basses, this pickup is designed to capture the vibe and feel of the 60’s. Using period correct heavy Formvar wire and Alnico V magnets, these pickups are specially wound to deliver the warmth and midrange “nose” that defines a great 60’s P-bass pickup.
Our 60’s J-style pickups are designed with period-correct parts and deliver all the warmth and punch of the iconic 60’s Jazz Bass pickup. Utilizing Alnico V magnets and our proprietary winding pattern, these pickups have improved string-to-string consistency, clarity, and articulation.
The OBP-2 was designed to give bassists fat tone while being small enough to fit into tight control cavities. Wire this preamp with one 9 volt battery and it will fit into just about any instrument. With +/-18dB of boost and cut at 40Hz and +/- 16dB of treble boost and cut at 6.5 kHz you have can emphasize just the right frequencies to make your bass...
The OBP-3 is Aguilar’s most flexible onboard preamp design, providing +/-18dB of cut and boost at 40Hz, +/- 16dB of cut and boost at either 400Hz or 800Hz and +/- 16dB of treble cut and boost at 6.5 kHz. The OBP-3 has multiple wiring options, and can be wired with either a push/pull pot OR mini-toggle for midrange frequency selection.