Emulation of an oil can echo unit. Dark-sounding echoes with a vibrato modulation synchronised with the delay time and a delay sound generate a cool, floating sound. Ideal for creating a similar sound to that of the official Italo Western or Shadows, Controls: Reverb, Viscosity, Timing, Blend, Balance. Made in USA
Faithful sonic recreation of the famous echoplex EP-3 tape echo including the preamp, delay time of 80ms -800ms, echo sustain, modulation, record level, mix & echo delay, internal controls: gain trimmer & buffer/true bypass switch.
Classic british sound and response from plexi to early 70s super lead, the Dirty Little Secret MKIII works great as an always on pedal, designed to be the the core of your guitar sound which you can enhance by adding boosters, fuzzes, filters, and other overdrives in front of it, two classic circuits, selectable via an internal slider switch, controls:...
Emulating the sought-after Binson Echorec drum recorder echo machine, four playback head concept with extended delay time of 40ms -1000ms, controls: swell, tone, delay time, mix, 12 position program switch.
Classic gnarly garage fuzz. Faithful reproduction of the classic circuit of the 60s. Its splatty, raw, and unapologetic. The Depth control adds brightness and gain, while the Volume knob controls your overall output volume.
Spring reverb pedal, Big wet and splashy. 60s outboard spring reverb tank. Simple operation, controls: dwell, tone, mix & volume
Custom-tuned Rangemaster-based booster combined with the pre-amp section of a Laney Supergroup, transform any guitar rig into a rig of doom with the Sabbra Cadabra, controls: range, gain, presence, and volume. This is Sabbath in a box. Carefully voiced together to get the riffs of doom that Tony Iommi is know
Vintage Ampeg growl for bass and guitar, controls: treble, bass, volume & gain, Stones/Stoner switch. Huge grind without compromising the big solid round lowend, balanced attack treble, and amazing note clarity even hitting chords on a bass!
Analog fuzz-tremolo-effect, create crazy new sounds no one has heard before, gives you an entirely new palette of sound and response to work from, Designed to be controlled from your guitar's volume knob, controls: Gravity, Time, Volume und Space.
Experimental delay and pitch with an amorphous character, Sonically the pedal is ever changing, even turning the knobs has an amorphous behaviour, capable of subtle, haunting ambience & chaotic, warped repeats or disturbing echoes of disharmony, controls: Reflect, Lucidity, Radiance, Mood & Expanse, true bypass.
Chorus/Vibrato pedal, which employs an MN3007 Bucket Brigade chip at its core. Its interface is simple, intuitive, and provides a multitude of sounds ranging from subtle and shimmer to rotary speaker-like to off-kilter warping/warble sounds.
Glitch/Stutter Delay, as a delay pedal, it reproduces true to the input echoes without filtering, when you utilize its scratched disc, stuttery, and glitchy behaviors, the effect is pseudo-random, with a certain amount of control over the randomness, controls: Time, Mix, Feed, Cuts & Latch
Greasy vintage 50s tweed amp sound. Tone circuit functions as a bright cap or treble rolloff depending on Gain. Great foundation for fuzzes and boosts.
Treble Booster, soundwise in the tradition of the Dallas Rangemaster which was used by guitarists like Tony Iommi, Brian May, Marc Bolan, and KK Downing & Glen Tipton, controls: Range, Boost, Heat
Octave-up fuzz in the tradition of the Octavia that takes the tradition to the next level, custom voiced to give you an extremely dynamic playing response, controls: attenuation, gain & body
Authentic tweed Bassman tone and response, Amazing dynamics via touch or guitar volume control, Ideal for stacking with fuzzes, ODs, and boosts. Exact three knob tonestack circuitry reproduced from the 5F6 amp.
Captures the regal and soaring tones of a Rangemaster Treble-Booster into a cranked up Vox AC30, three controls tuned to deliver the essence of the Brian May sound - GAIN, TONE, and VOLUME.
Looking for that fuzz, overdrive or sparkly boost pedal? Karma Suture's four control layout allows you to dial in a huge range of harmonically rich tones that sound great into clean and overdriven amps. Or into a foundation overdrive, such as the Dirty Little Secret. It can work equally well with vintage single coils and hot hum buckers.
Plate reverb emulation, based on the legendary EMT140 reverb plate, reminiscent of era-defining sound of the 70s, simple operation, controls: high pass, time, pre delay, mix & volume,
60s Valco style tremolo, from hard chop to subtle bubbles. Features discreet circuitry, dynamic JFET audio path and analogue LFO. The result is an organic and vintage sound, more lively, warm, and responsive.
Overdrive inspired by the 1970 Royal Albert Hall performance. Authentic 3 knob tone stack from the Jimmy Page Hiwatt. Designed to give incredible dynamic response with your pick attack and your guitars controls.
Authentic studio flanging the way it was originally done using two synchronized tape machines and slowing down one hoop by lightly pressing a finger on the flange (rim) of one of the playout reels, real time and not a typical modulation effect, no LFO that presents a predictable up and down swooshing sound, no rotary controls, only one powerful control.
Fings like a fuzz but is tight like a distortion, offers a huge range, from a beautiful singing tone over tight, harmonically-rich crunch, all the way to fuzz mayhem, controls: input, gain, filter, volume.
Whether you’re using the Karma Suture as your standalone dirt box into your amp or you’re using it to boost, overdrive, and enhance your existing dirt pedals, you’ll be greeted with harmonic distortion laden with even-order harmonics – sweet and musical, even with complex chord voicings.