Otherworldly reverberation machine that uses a swarm of short delays to create wild and cavernous reverbs and scattered, short rhythmic delays with bizarre characteristics. The reverb created is beyond massive and goes well beyond the territory of most reverb pedals.
Preamp booster, designed to add additional channel of gain to all your dirt pedals as well as brightening up neck pickups. It boosts midrange, tightens up the low end and makes the top end shine, single control knob. All analog, true bypass.
Dreamy sonic discovery device with up to 2 seconds of delay time and a lush reverb. It features complete control over delay time, repeats, mix and voice (with the tone control), as well as control over the reverb length and mix. It can run in one of 3 different modes: Normal, Reverse and Swell.
One of the most popular and versatile delay/reverb pedals on the market. Loved for both its small size and lush sound, the Dispatch Master is capable of producing up to 1.5 seconds of delay time with near-infinite repeats and a cavernous reverb.
Heavily featured take on the classic 808 overdrive. Features Gain, Tone and Level controls along with our favorite voice and bandwidth settings as well as the Normal/Bright toggle. The selectable voices are: MOSFET for a tight crunchy sound, Silicon for the classic 808 sound and None which goes from clean boost to gritty distortion with a massive volume...
Germanium/silicon hybrid fuzz which is based on character of the classic green Russian muff. It is capable of creating everything from dirty and organic overdrive to monstrous fuzz madness.
Variation on Ghost Echo pedal to honor the reverb-drenched tones synonymous with classic psych rock. Vintage voiced reverb that aims to fit somewhere between dirty sixties chambers, classic spring, and the big, ringing plate reverbs of days gone by.
Polyphonic organ emulator designed to mimic the organ tones of yesteryear crossed with the highly unique Guitorgan. It has a warm and very analog feel with a hint of Leslie warble that is unlike other modern octave shifters.
Overdrive, controls for: Boost, Volume, Tone, Gain A and Gain B, mini toggle for Normal/Bright, mini toggle for Buffer on/off, 6 Voice-settings, 5 Bandwidth-settings.
Chorus pedal with ultimate control over parameters rarely seen in a chorus. A hybrid of digital and analog circuitry with a slightly extended delay time allows it to really stand out and shimmer. The heart of the Sea Machine is a short digital delay line, which features controls for Animation, Dimension and Depth.
Extremely versatile high gain overdrive that serves up the full range of gain from transparent boost to heavy saturation, and all points in between. Unlike all our other overdrives, the Talons was not designed to emulate any specific sound or era.
Classic analog octave up effect. It is the very same octave from our beloved Hoof Reaper pedal.You can now add an excellent, swelling octave up to anything your heart desires!
Transmisser is a modulated reverb with extra-long decay fed to a highly resonant filter. It is the sonic recreation of blowing your signal to bits, shooting it through a black hole then beaming it back down on a cloud of cosmic dust. It is a Blazar for musical instruments.
Analog-voiced digital delay pedal with a variable waveshape LFO hitting the repeated signal for a world of warm modulated echo tones. So if you’re a fan of murky-sounding oil can delays or warbly old-school tape echo machines, the Space Spiral is totally going to tickle your tone bone.
The Erupter is the result of over two years’ worth of tone-chasing, tweaking, and experimentation in search of the ultimate classic fuzz tone with a big low end (but not too mushy), a biting top end without being too harsh, and just enough output to politely send a tube amp over the top.
The Data Corrupter is a wild, yet repeatable three-voice Modulated Monophonic PLL Harmonizer that takes your input signal and “brutally amplifies it into a crushing square wave fuzz tone that is then multiplied, divided, and modulated” to create a harmonically complex, expressive, and touch-responsive analog synth tone up to three octaves below (or above)...
Polyphonic pitch arpeggiator, The Arpanoid takes whatever you play and transforms it into an adjustable ascending or descending scale. It features 8 intuitive and expandable modes and will work on complex chords as well as single notes in any key.
Back-to-basics, transistor-based dirt device. This two-knob wonder has a whole lot of character for such a simple, unassuming pedal. It straddles the line between amp-like grit and fuzzy saturation to create a remarkably vintage, tweed-type tone.
Germanium preamp designed around a rare NOS OC139 black glass transistor. Full and treble mode. 1 level knob.
Fuzz, two channels (green/red) controls: Green, Red, Tone, Fuzz.
Monophonic analog guitar synthesizer with four octaves of vintage square wave synth tones. Its no-nonsense interface makes it easy to add or subtract octaves to create a wide variety of sounds without having to dial in envelopes or oscillators.
Delivers a grittier, more bass heavy tone with more crunch that can not be achieved with the standard Hoof. 4 specially selected silicon transistors for higher gains, cleaner cleans and improved temperature stability. Bypass footswitch, silent relay-based soft touch switching, status LED, metal housing, top-mounted 6.3 mm mono IN/OUT jacks, power supply...
Silicon-based transistor fuzz circuit delivers classic tone with unrivaled versatility. At the heart of this fuzz device lies the Bias control, which limits the amount of current being fed to the transistors for a gated and velcro-like fuzz tone.